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• February 27, 2012
• In QueerMoMenti

Film Program: Žigola

6. ožujka u 19h i 7. ožujka u 21h
Žigola / Gigola (Francuska, 2010.)
r: Laure Charpentier
uloge: Lou Doillon, Marie Kremer, Eduardo Noriega
Duration: 102 mins.
Kino Europa, Varšavska 3

Uoči Međunarodnog dana žena Queer MoMenti predstavljaju još jednu filmsku poslasticu: francusku lezbijsku melodramu ‘Žigola’ (Gigola) redateljice Laure Charpentier. Smješten među underground lezbijsku zajednicu Pariza šezdesetih godina prošlog stoljeća, film se temelji na trideset godina cenzuriranom romanu istog imena kojeg je sama spisateljica nakon dodatnih deset uspjela prenijeti na veliko platno.

Već prvim scenama svjedočimo infiltraciji Georgine (Lou Doillon) među underground lezbijsku scenu i preuzimanju identiteta Žigole. Nakon samoubojstva djevojke, Georgine se odaje porocima podzemlja kao prvi ženski žigolo, seksi krosdreserica i prijateljica noći, zaposlena  u kabaretu u kojem bogate lezbijke traže zabavu i gender-bending eskort djevojke. Ipak, njihov odnos nije isključivo seksualne prirode. Žigola žene u svojoj okolini sada, nakon što se oprostila sa starim životom, smatra svojom novom obitelji. Uz otmijeno odjevanje, skupa pića i specifičan gard Žigola postaje izuzetno bliska ženskoj verziji Bonda, pa čak i kada treba nositi pištolj i sukobiti se s gangsterima. Istodobno, ostaje fantazija svake lezbijke u pripijenom odijelu te domina njihovog užitka.

Žigola će tijekom filma zamijeniti nekoliko ljubavnica, čije će odnose karakterizirati potpuno drugačija dinamika: jednima je nježna igračka drugima maskulina gospodarica. Uz niz vrlo razigranih scena seksa te scenarij koji se dvosmisleno igra sa seksualnošću Žigola će asocirati i na softcore porniće, iako je daleko od njih. Prema kritičarima, fantastično zločest, duhovit i zabavan film: beskompromisno campy u svojoj ozbiljnosti i prikazima strasti, i jedan od rijetkih novih filmova koji se mogu staviti pod etiketu pulp-filma; ujedno je i jedan od zanimljivijih queer filmova u posljednjih godinu dana.

Ukoliko patite na europski šik šezdesetih, i želite na fantastično putovanje s moćnom i lijepom proto-seksualnom radnicom dvadesetog stoljeća, ili jednostavno želite gledati atraktivne, gender-bending dame u odijelima, Žigola je film za vas.

Film je na rasporedu 6. ožujka u 19h te 7. ožujka u 21h u Kinu Europa (Varšavska 3). Karte se mogu kupiti na blagajni kina na dane projekcija.

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In the week which the International Day of Women is celebrated, Queer MoMents present another film treat: French lesbian melodrama ‘Gigola’, directed by Laure Charpentier. Situated in the underground lesbian scene of Paris’ sixties, the film is based on the long censored novel of the same name which, after 40 years very author managed to transfer into the big screen.

With the first scenes we witness infiltration of Georgina (Lou Doillon) in the underground lesbian community where she’s soon self-identified as Gigola. After the suicide of her girlfriend, Georgina discovers the vices of this underworld as the first female gigolo, sexy cross-dressing friend of the night while working in cabaret where wealthy lesbians seek fun and gender-bending escort girls. However, her relationship with them isn’t purely sexual in its nature. Gigola, having said goodbye to her former life, now befriends these women whom she consider her new family. While wearing elegant suits and drinking expensive drinks, combined with her attitude, Gigola becomes very close to the female idea of James Bond, even when she needs to carry a gun to confront the mob. At the same time, she remains the fantasy of every lesbian in this society.

Throughout the course of the film, Gigola will replace several mistresses, with whom she’ll co-relate far differently one from another: from soft toy-girl to masculine dominatrix. With a series of very vivid sex scenes and scenario that ambiguously plays with sexuality ‘Gigola’ shows a certain connection even with softcore porn movies – although it’s far from them.

According to critics, it’s a fantastically naughty, funny and entertaining movie: uncompromisingly campy in it’s severity and representations of female passions, one of the rare new works that can be put under the etiquette of pulp-film, as well one of the most interesting queer films in the past year.

If you sufferer for a European chic sixties, and dare to go on a fantastic journey with a powerful and beautiful proto-sexual worker of the twentieth century, or simply want to look at attractive, gender-bending ladies in suits – ‘Gigola’ is a movie for you.

The film is scheduled for March 6th at 7PM and March 7th and 9PM, Kino Europa (Varšavska 3).

Tickets can be bought at the venue at the date of screeings.

• February 25, 2012
• In Recognition

T-HT u Muzeju suvremene umjetnosti

Od 249 radova, koliko ih je ove godine pristiglo na natječajnu izložbu T-HT, među 40 odabranih našla se i instalacija Damira Bartola Indoša iz predstave ‘Kriegspiel’ koja je izvedena na prošlogodišnjem Festivalu Perforacije.

‘Kriegspiel’ Damira Bartola Indoša i Tanje Vrvilo predstavlja inačicu šaha zasnovanom na Von Clausewitzovoj teoriji ratovanja i konkretnim Napoleonovim pohodima. Iako patent ‘Kriegspiela’ nije postao popularniji od šaha, u uskim krugovima ostao je fascinantan primjer kombinacije igre i teorijskog uvida. Damir Bartol Indoš već je desetljećima jedinstvena pojava na domaćoj izvedbenoj sceni, zagledan u obzor filozofije i ishodišta performansa. Bez obzira je li u njima primaran pokret, gesta, glazba ili tekst, njegovi su radovi uvijek i igra, i sve ono što je od igre puno ozbiljnije.

Među petero odabranih da izlažu u MSU-u u sklopu izložbe T-HT-a našao se i hrvatski queer umjetnik Silvio Vujičić kojeg pamtimo po zebri duginih boja iz postava ‘Tra/ns/vestije’ koja je bila sastavni dio Queer Zagreb festivala 2004. godine. U Muzeju suvremene umjetnosti biti će izložena Vujičićeva nova instalacija koja se sastoji od devet uokvirenih radova i jednog prostornog objekta koji se mijenjaju tijekom izložbe, kako su transformacije materije jedna od osnova Vujičićeva rada.

Nekoliko radova pristiglih na ovogodišnju izložbu posvećeno je liku i djelu Tomislava Gotovca, pa se ovogodišnje T-HT izdanje može shvatiti i kao mali hommage tom velikom umjetniku koji je svojim beskompromisnim djelovanjem ostavio nezamjenjiv trag ne samo u kontekstu hrvatske nego i svjetske suvremene umjetnosti.

Nagrađeni postav svečano otvorena je 24. veljače, a može se pogledati narednih mjesec dana, do 25. ožujka.

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Damir Bartol Indoš among the exhibitors at the show T-HT in the Museum of Contemporary Art.

Out of 249 submissions for the Exhibition T-HT at the Museum of Contemporary Art of Zagreb, 40 were selected. In this selection there is Damir Bartol Indoš’s installation from the play „Kriegspiel“ which was performed at last year’s Perforations Festival.

Damir Bartol Indoš’es and Tanja Vrvilo’s „Kriegspiel“ presents a version of chess based on Von Clausewitz theory of warfare and Napoleon’s specific campaigns. Although the patent of „Kriegspiel“ did not become more popular than chess, in tight circles it remained a fascinating example of a combination of game and theoretical insights. Damir Bartol Indoš has been for decades a unique phenomenon in the local performing scene, gazing into the horizon of philosophy and performance outcomes. Regardless of wether the priority is the movement, gesture, music or text, his pieces were always a game, and everything that is much more serious than the game.

Five works exhibited weren’t submitted but were selected by the curators ot the Museum of Contemporary Art as part of the exhibition T-HT. In this selection of 5 there was also the Croatian queer artist Silvio Vujičić which we remember for his zebra with colors of the rainbow from the setup „Tra/ns/vestije“ which was an integral part of the Queer Zagreb Festival on 2004. The new instalation of Vujičić that is exhibited at the Museum of Contemporary Art consists of nine framed pieces and one physical object that changes during the exhibition, as transformations of material are the basis of Vujičić’s work.

Several pieces submitted to this year’s exhibition are dedicated to the character and work of Tomislav Gotovac, so this year’s T-HT release can be understood as a small homage to this  great artist whose uncompromising work has left and irreplaceable mark not only in Croatian, but also in international contemporary art.

The winning exhibition officially opened on February 24 and can be seen until March 25.

• December 25, 2011
• In Books

Susan Sontag: Ponovo rođena

„I dalje ova djetinjasta fascinacija mojim rukopisom…
Kad pomislim da uvijek imam ovu senzualnu mogućnost koja zrači iz mojih prstiju!“ — Susan Sontag

Prije svoje smrti, Susan Sontag priznala je kako je bila zaljubljena devet puta u životu. Pet žena, četiri muškarca. Međutim, više je poznata po svojim početnim djelima poput  ”Notes on ‘Camp’” (1964) u kojem je naginjala prema „toliko lošem da je dobro“ u popularnoj kulturi (prva intelektualka da je to napravila) i “On Photography” (1977), eseju koji analizira socijalne promjene uzrokovane modernom tehnologijom. Njezin plodan i opsežan rad obuhvaća razne aktivnosti poput podučavanja filozofije i teologije, pisanje fikcije, kazališnih predstava i filmova.

Primarno se oduvijek smatrala romanospisateljicom te je njezino pripovijedanje i pisanje eseja u određenim trenucima nailazilo na veliku pozornost. Takvo poštovanje njenog rada izdiglo ju je do kultnog statusa kako u akademskom tako i u umjetničkom svijetu. Dobivenu pozornost koristila je u svom političkom aktivizmu kako bi skrenula pažnju međunarodne zajednice na važne događaje poput vijetnamskog rata i okruženje Sarajeva. Živjela je u bosanskom glavnom gradu više mjeseci tijekom okruženja i pritom je režirala Samuel Beckettovu predstavu „Čekajući Godota“ u opkoljenom gradu.

Esejistica, književna i kulturalna teoretičarka, ikona i politička aktivistica, Susan je jedna od najzanimljivijih figura 20. stoljeća.

Ovo je tek početak. Ovo su njeni dnevnici.

Broj stranica: 339

Uvez: meki

Cijena: 99,00 kn

Poštarina: 8,80 kn

Buying info

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Susan Sontag’s Reborn published in Croatia by Queer Zagreb

Before her death, Susan Sontag confessed she had been in love nine times in her life. Five women, four men. However, she is better known for seminal works such as “Notes on ‘Camp’” (1964), in which she gestured towards the “so bad it’s good” in popular culture (the first intellectual to do so), and “On Photography” (1977), an essay analyzing the societal changes brought on by modern technology. Her prolific body of work included diverse activities such as teaching Philosophy and Theology, writing fiction and theater plays, and films.

She had always seen herself primarily as a novelist, her storytelling and essay writing being championed at different moments and with great attention. Such attention as to elevate her to cult status both in the academia and in the arts world. Attention which she used in her political activism to bring to the eyes of the international community important events as the Vietnam War and the Siege of Sarajevo. She lived in the Bosnian capital for many months during the siege and directed Samuel Beckett’s theater play “Waiting for Godot” in the surrounded town.

Essayist, literary and cultural theorist, icon, and political activist, Susan is one of the most interesting 20th century figures.

This is the beginning. These are her diaries.

• November 25, 2011
• In Off program

Drag queen zvijezda Joey Arias u Jedinstvu!

Dašak njujorškog underground cabareta u Zagrebu!

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